What could be seen as formal or defined geometry is, in fact, and intentionally so, a number of liberties derived from a desired and felt randomness...
In Dionisio Gázquez Méndez's work cannot be found any idea which does not affect a reality, or some other "subject" ... without any obscurantism ¡
Fleeting, tangible "silhouettes" seem to appear, to emerge here and there; wishing, no doubt, to remind us that essence circumstantiates existence.
Thus, through this work, our emotions become organic, sensitive, real, alive... And this is essential ¡!