Elena Aguilera (1962) works the world of lines to trace the experiences through which we recognise ourselves, the drawing comes to us as a code of signs and ideas in which to reflect our concerns. Drawing in its linear discourse, in its becoming between light and shadow. Material of thought, philosophy, and perception.

Painting is born as a recognition of the forms, but also as the result of a search which goes beyond the mere presence, it investigates the thought of the human being to the point where the drawing becomes the interpreter of a reality, but describing it to be understood by the human being.

Ever since human beings understood the way in which we understand reality was immersed in this discourse of lines, we entered an era in which existence began to have something magical about it. The transcendence as an expression of fear and the unknown, follows the invention of its planar abstraction, that is, Painting.