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LA BELLE VIE / LA MARINIÈRE / REGARDS DE FEMME / LA SAVANE / REGARDS SUR LE MONDE / MON JARDIN D'EDEN / CERCLE DE JOUVENCE / LEVÉ DU JOUR/ ...
"...Being free and accepting colors, materials and movements, their calls and, thus, penetrating another dimension and giving it body and soul, this is what founds me...Materials, colors, materials colors, "act" more in my work than the line to define a form, a movement, an expression...".
Here and there, in Litcha's Work, one is surprised by these simplified forms, partitioned by a few lines and the influence of chromatic conjugations.
Lichta claims an expression based on emotion, on an obligation of evidence and simplicity.