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LICHTA #PAINTING

LA BELLE VIE  / LA MARINIÈRE / REGARDS DE FEMME / LA SAVANE / REGARDS SUR LE MONDE / MON JARDIN D'EDEN / CERCLE DE JOUVENCE / LEVÉ DU JOUR/ ...

"...Being free and accepting colors, materials and movements, their calls and, thus, penetrating another dimension and giving it body and soul, this is what founds me...Materials, colors, materials colors, "act" more in my work than the line to define a form, a movement, an expression...".
Here and there, in Litcha's Work, one is surprised by these simplified forms, partitioned by a few lines and the influence of chromatic conjugations.
Lichta claims an expression based on emotion, on an obligation of evidence and simplicity.
Its colors do not aim to imitate nature; they are a "tool" for the artist to interpret his words and sublimate his materials and his movements...
His expression tends not to distort a reality but wishes to inspire the -viewer- an emotional poetry.
Sometimes the artist stages a symbolism, his symbolism, and there, he will simplify his forms, sometimes with irony, always with poetry.
This artist is humble, simple, expressive ¡¡

LICHTA #PAINTING

LA BELLE VIE  / LA MARINIÈRE / REGARDS DE FEMME / LA SAVANE / REGARDS SUR LE MONDE / MON JARDIN D'EDEN / CERCLE DE JOUVENCE / LEVÉ DU JOUR / . . .

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