" . . . Through different techniques, the "journey of the thread" is a predominant element, bringing a certain degree of fragility which is a unifying thread in my work. The knots, the stitches, the embroidery arrange themselves to bring forth the necessary transparency to the threaded performance.
The handmade paper, processed or not in momigami (Japanese creasing technique), evokes lightness and tenuousness through its fibres.
The resulting pieces are erected as textile sculptures in the service of a research on "Appearance" and its lures.
Ecology and nature are always sources of reflection.
I thus oppose a very asserted and present aestheticism to denounce more sordid realities . . . "